There’s one criteria in the process of creation that’s sometimes overlooked. Those who create, in whatever form, don’t just need the skills and ability to do so; they need the force of inspiration. All creative ability tends to fall flat without this x-factor. The ability to create means little without an inspiration behind it.
Sometimes, without being inspired, creative types end up stuck in their tracks. It’s why writers experience writer’s block, painters are left staring at a blank canvas without a powerful image in mind, and musicians are left mute without an inspiring topic around which to wrap their musical notes and lyrics. A work of art isn’t really a work of art without a reason to create it. However, there is something to be said for creating just for the sake of creating. This can be valuable. It can be a type of outlet. Or it can be a form of practice for the real thing. But the best creations are the ones that are inspired and leave an indelible mark on the audience.
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These are the best creations—the ones evoking an emotional response that onlookers don’t easily forget. We tend to remember the medium due to the emotion it evokes, and it creates a change in us when it leaves a mark on our soul. Songs get stuck in our head with a driving melody and compelling lyrics; a powerful painting imprints an image in our mind that colors all others images that we ponder; writers evoke ideas with words and poetic verse we don’t easily forget. It seems when people create out of their own life experience is when it has its most powerful effect. You just can’t fake the emotions that it draws out. And these creations that are the most honest are usually the ones that are the best. They’re not a contrivance of what the artist thinks people want to see or hear. And if it’s something people can relate to, now you’ve got a powerful medium. These things speak to us on a visceral level.
Human inspiration is something difficult to put your finger on, exactly. But you know when it’s there. Besides a topic of interest to inspire the art, there seems to be something there that’s propelling the artist forward. It’s more than just an intellectual exercise, but the work seems to take on a life of its own. They didn’t entirely know what they wanted it to become when they started, but somehow it became what it was meant to be. The artist becomes a medium for the art to be drawn out. Their imagination leaps from one idea to another—improvised—like a climber on a cliff who, initially only seeing their goal at the top, doesn’t know how he’ll get there, but just knows that somehow he will. Every piece of a ledge he grabs in between is just a part of the creation that propels the whole work forward until the entire piece is formed. It can’t be predicted. And that’s what makes it so amazing.